When the Levee Breaks

Posted on May 09, 2006

I was working through some exercises from Stanton Moore’s “Take It To The Street” book last night. One of them was the initial groove from Led Zeppelin’s “When the Levee Breaks” off IV. As with any organic groove like this, there are subtle nuances that are very much overlooked by most of the drumming community. In this case, John Bonham was accenting certain hi-hat beats during most of the song. The hat trickery would have gone unnoticed had Stanton not been such a perceptive lad. Even the drum tab that I picked off the Internet for my example missed them. These beats are tough to accent because they occur in a quite unnatural position between syncopated and not. Don’t mistake this for drumming erudition either as these accents punch through the extreme reverb that was applied to his kit to make the groove feel so tight. Here is the ASCII-art drum tab with the accented hi-hats beats highlighted for all the world to see.

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  1. Ali Wed, 10 May 2006 09:25:54 UTC

    Won’t you need an extra bass drum to be truly Bonham-esque?

  2. Administrator Wed, 10 May 2006 22:13:32 UTC

    I thought Bonham only had one bass drum. IIRC, he had timpanis and a gong though.

  3. charlie Wed, 19 Jul 2006 02:48:09 UTC

    I also caught one of Stantons clinics I thought it was great. I especialy liked all his emphasis on nuance and the grove that started with the left hand on the high hat. LLRLRLRR LLRLRLRR w/base on 1,DA,&,3,DA,&. As far as Bonzo goes, The Big guy had a fast enough foot that he only needed one (big ass) base drum to pull off those monster beats and solos he played. He did a lot of foot slides and tom,tom,base,base, patterns which sound realy cool if you play the toms as doubles alternated between each hand rrbbllbb. I have been trying to find a transcription of Bonhams beat on Fool In The Rain. If any one could help I would be appreciative.

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